Box 3
Contains 14 Results:
ARTScene Digest, 1996, 1999
This sub-series contains research notes, correspondence, financial documents, photographs, negatives, and photographic slides, related to Zakian's curatorial work for the Agnes Pelton: A Poet of Nature Exhibition which was on show at the Weisman Museum in the Spring of 1996. This sub-series provides insight into the work that goes on behind the scenes in order to curate an exhibition.
Agnes Pelton: Poet of Nature by Michael Zakian, 1996
This sub-series contains research notes, correspondence, financial documents, photographs, negatives, and photographic slides, related to Zakian's curatorial work for the Agnes Pelton: A Poet of Nature Exhibition which was on show at the Weisman Museum in the Spring of 1996. This sub-series provides insight into the work that goes on behind the scenes in order to curate an exhibition.
Los Angeles Times Advertisement Draft , 1996 April-May
This sub-series contains newspaper clippings, magazines, and other mediums Zakian used to promote the Agnes Pelton: A Poet of Nature Exhibition which was on show at the Weisman Museum in the Spring of 1996. This sub-series provides insight into how exhibitions were promoted in the mid-90s.
Agnes Pelton Auction Documents, 1995-1996
This sub-series contains research notes, correspondence, financial documents, photographs, negatives, and photographic slides, related to Zakian's curatorial work for the Agnes Pelton: A Poet of Nature Exhibition which was on show at the Weisman Museum in the Spring of 1996. This sub-series provides insight into the work that goes on behind the scenes in order to curate an exhibition.
Agnes Pelton: Drawings, 1996 September-October
This sub-series contains research notes, correspondence, financial documents, photographs, negatives, and photographic slides, related to Zakian's curatorial work for the Agnes Pelton: A Poet of Nature Exhibition which was on show at the Weisman Museum in the Spring of 1996. This sub-series provides insight into the work that goes on behind the scenes in order to curate an exhibition.
Agnes Pelton Photographs, 1995-1996
This sub-series contains research notes, correspondence, financial documents, photographs, negatives, and photographic slides, related to Zakian's curatorial work for the Agnes Pelton: A Poet of Nature Exhibition which was on show at the Weisman Museum in the Spring of 1996. This sub-series provides insight into the work that goes on behind the scenes in order to curate an exhibition.
Painting Loan Forms, 1996 April
This sub-series contains research notes, correspondence, financial documents, photographs, negatives, and photographic slides, related to Zakian's curatorial work for the Agnes Pelton: A Poet of Nature Exhibition which was on show at the Weisman Museum in the Spring of 1996. This sub-series provides insight into the work that goes on behind the scenes in order to curate an exhibition.
Pelton Watercolor Photographs, 1998 November 9
This sub-series contains research notes, correspondence, financial documents, photographs, negatives, and photographic slides, related to Zakian's curatorial work for the Agnes Pelton: A Poet of Nature Exhibition which was on show at the Weisman Museum in the Spring of 1996. This sub-series provides insight into the work that goes on behind the scenes in order to curate an exhibition.
Penny Perlmatter Fine Arts, Incorporated Correspondence, 1996 January-June
This sub-series contains research notes, correspondence, financial documents, photographs, negatives, and photographic slides, related to Zakian's curatorial work for the Agnes Pelton: A Poet of Nature Exhibition which was on show at the Weisman Museum in the Spring of 1996. This sub-series provides insight into the work that goes on behind the scenes in order to curate an exhibition.
Correspondence with Mari Coates, 1996-1997
This sub-series contains research notes, correspondence, financial documents, photographs, negatives, and photographic slides, related to Zakian's curatorial work for the Agnes Pelton: A Poet of Nature Exhibition which was on show at the Weisman Museum in the Spring of 1996. This sub-series provides insight into the work that goes on behind the scenes in order to curate an exhibition.
